Entertainment Weekly 's Chris Willman found its musical style reminiscent of Sade. Beccy Lindon of The Guardian described Winehouse's sound as "somewhere between Nina Simone and Erykah Badu. Club 's Nathan Rabin commended its loose, organic songcraft and wrote that it "features languid, wide-open neo-soul grooves and jazzy vamping". Nate Chinen of The New York Times complimented her original lyrics and called the music a "glossy admixture of breezy funk, dub and jazz-inflected soul". AllMusic's John Bush called Winehouse "an excellent vocalist possessing both power and subtlety". At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 78, based on 11 reviews.
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Critical reception Professional ratings Aggregate scoresįrank received generally positive reviews from contemporary music critics. įollowing the release of the critically acclaimed documentary film about Winehouse, Amy (2015), Frank was reissued on vinyl on 31 July 2015 by Republic Records. Over May, June and July the album was released in Australia, Canada, United States and Japan. It was first released in Germany on, followed by its release in the United Kingdom on through Island Records. In 2008, the album was re-released as a deluxe edition, including an 18-track bonus disc of rare tracks, remixes, B-sides and live performances. In 2007 the album was released once again to Australia in March and the United States in November, with the latter being released via Universal Republic Records. In 2004, the album was released to European countries, including Poland and Germany, as well as being released in Canada through Universal Music Group.
įrank was first released in the United Kingdom on 20 October 2003 through Island Records. In the liner notes for Winehouse's 2011 album Lioness: Hidden Treasures, producer Salaam Remi wrote about the track "Half Time", an outtake from the recording sessions for Frank, and revealed that Frank 's title refers partly to Frank Sinatra, an early influence on Winehouse. So you can't be like, "You're an idiot." They know that they're idiots. It's frustrating, because you work with so many idiots-but they're nice idiots. Well, the marketing was fucked, the promotion was terrible. I've never heard the album from start to finish. Some things on this album make me go to a little place that's fucking bitter. In a 2004 interview with The Observer, Winehouse expressed dissatisfaction with the album, stating:
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Beese told HitQuarters that he felt the reason behind the excitement, over an artist who was an atypical pop star for the time, was due to a backlash against reality TV music shows, which included audiences starved for fresh, genuine young talent. Winehouse was signed to Island, as rival interest in Winehouse had started to build to include representatives of EMI and Virgin starting to make moves. īeese introduced Winehouse to his boss, Nick Gatfield, and the Island head shared his enthusiasm in signing her. She formed a working relationship with producer Salaam Remi through these record publishers. However, Winehouse had already recorded a number of songs and signed a publishing deal with EMI by this time.
Having decided that he wanted to sign her, it took several months of asking around for Beese to eventually discover who the singer was. When he asked who the singer was, the manager told him he was not allowed to say. Her soon-to-be A&R representative at Island Records, Darcus Beese, heard of her by accident when the manager of The Lewinson Brothers showed him some productions of his clients, which featured Winehouse as key vocalist. While being developed by the management company, she was kept as a recording industry secret, although she was a regular jazz standards singer at the Cobden Club.
Winehouse signed to Simon Fuller's 19 Management in 2002 and was paid £250 a week against future earnings. Winehouse's best friend, soul singer Tyler James, sent her demo tape to an artists and repertoire (A&R) executive. In July 2000, she became the featured female vocalist with the National Youth Jazz Orchestra her influences were to include Sarah Vaughan and Dinah Washington, the latter whom she was already listening to at home. Soon after, she began working for a living, including, at one time, as an entertainment journalist for the World Entertainment News Network, in addition to singing with local group the Bolsha Band. After playing around with her brother's guitar, Winehouse bought her own when she was 15 and began writing music a year later.
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